Category Archives: pop music
It’s morning somewhere.
On the ’90s nostalgia train this week: trip hop & Ally McBeal, sundresses & biker boots. Sneaker Pimps’ 6 Underground launched me in to a Bond-esque orbit. It was really just the 405. Driving, driving, driving. Sunroof, Slurpee, Sunset. Imperial Highway, I-10, PCH, Santa Monica Bou-le-vard. K.C.R.W. The bubble of film school, where you could navel gaze, roller blade & delay, delay. I worked for a woman who Fed-Exed her Armani suit from Cannes to LA. Because she had vacation plans in Italy, after. I drove the box up through the Hollywood Hills & left it with her caretaker. Her pool was kidney-shaped.
AIDS was reality’s shadow. A friend of my cousin; he’d come to WeHo from Florida. He played me Mariah Carey for the first time. Vision of Love. And paid me well to sand & spackle the walls of a condo he bought, about a year before. The down payment came from money he’d embezzled from work. He never got caught. He just passed away.
Vision of Love is still my favorite Mariah song.
And 6 Underground is the business.
“And meanwhile the man was falling from space
And everyday I wore your face
Like an atmosphere around me
A satellite inside me”
How is this song NOT about David Bowie? I wonder every time I listen to it – “How Big, How Blue, How Beautiful” – the title track from Florence + The Machine’s latest album. I imagine young Florence Welch discovering Bowie as a teenager, sometime in the late ’90s, painting her face with a glittery lightning bolt (everyday I wore your face) and dancing around her bedroom, entranced.
But no, apparently this song is an ode to the California sky, influenced by Florence’s time in the U.S. and her increasing fascination with American music (whether Motown or Laurel Canyon).
The song is stunning, no matter what or who inspired it, and it’s been on constant rotation in my ears. I’m still in a little mourning for the great Starman, and feeling lately like logging on to Twitter or FB is just the daily equivalent of asking: who’s dead now? So songs of comfort and beauty feel quite necessary now.
Here’s a video version of not-quite-the-whole song, filmed (unsurprisingly) under a bright blue sky. The short video was directed by Tabitha Denholm & Vincent Haycock.
Have a good week, x
This week, in a beautiful generational symmetry, EO and I went to Madonna’s Rebel Heart concert here in Hong Kong. My one and only Madonna show prior to this was a floor seat at Austin’s Frank Erwin Center on the Like a Virgin tour, May 1985, a few weeks before I graduated from high school. This spring, EO will attend her first formal dance and ‘graduate’ Y11 before beginning her school’s two-year IB program. Over thirty years between our rites of passage and yet here was Madonna – in fearsome form and wicked wit, middle-aged, twice-divorced, sex-obsessed, foul-mouthed – here was fucking Madonna.
The fourth best-selling musical act of all time. Superseded only by The Beatles, Elvis Presley and Michael Jackson.
The most successful solo artist in the history of the American singles charts. Let that sink right in while I say her name one more time.
Screw the haters. To hell with the ageist TMZ brigade. Go home if her show starts too late for you. I don’t care how old she is or who shares her bed or even what kind of person she is behind the scenes. All that matters is what she brings to the stage, and in that arena Madonna reigns. Unrivaled. Matchless. Supreme.
She transported her full show to Hong Kong – not always the case with touring artists in Asia – and played for over two hours, joined by her band, back-up singers and about 20 dancers. The concert was a button-pushing visual feast of multimedia images, lights, poles, ramps, stairs, hydraulics and dance. Lots of dance. Throughout the show, Madonna moved seamlessly from one cultural theme to another: Samurais to start; Catholicism (of course) to heat things up; Matadors, Greasers and Flappers to express love and more sex, sex, sex; and then “Holiday” fun to finish. I expected the button-pushing and restless cultural curiosity; Madonna has always championed the unusual and the underground, the more provocative the better. She’s a human synthesizer, and I say that as a compliment. What surprised me, however, was the lightness and vulnerability she showed. She chatted, joked, queried and proclaimed to the audience: don’t ask questions, there is no answer. She wore the mantle of Queen both proudly and irreverently.
But if I could distill her performance, nay her entire artistic existence, down to one point, I would say very simply that Madonna is about the body. All shaking ass, thrusting bosom, beating heart. Her hand on a thigh and a head in her crotch. As a dancer first and foremost, she understands the visual power of motion, of open legs and intertwined limbs. Or as her concert showcased, the stunning impact of one shirtless, muscular man moving on an empty stage with only a billowing scarf for company.
Her raison d’être, if I dare to speculate, has always been about celebrating the amazing, ecstatic things we can do with our bodies, alone and in company. She made that statement with her very first single, “Everybody”, which was released in 1982. Every / Body / Come on / Dance and Sing. And she continued that manifesto by shining a light on how others try to stop us from said ecstasy, whether it’s an overbearing patriarchy, Catholic constraints on sexuality or our very own hang-ups. Every / Body / Get Up And / Do Your Thing. Madonna’s body electric is both personal and political, and she makes her stand not only with music and lyrics but movement as well. As if Martha Graham were a pop star…
After the show, EO and I speculated as to what Madonna would do between her two shows in Hong Kong. (If you see her hiking The Peak, tell her I said Hi!) I figured after 2+ hours on stage, in heels, she probably needed some serious physio, or at least a massage. The thought made me a little sad. Madonna’s getting older, her knees must be killing her.
I know a lot of people reckon she’s well past her prime, that the best she can do these days is hitch her wagon to Nicki Minaj or Drake. But I disagree. Though I hadn’t seen her in concert for decades, her Rebel Heart show was indisputable proof that her creative vigor and taste for provocation is alive and well. She still owns the stage, whether she’s alone and singing “La Vie En Rose” or leading her dancers down the catwalk in a fantastic rendition of “Deeper and Deeper”, everyone strutting and vogueing. Even EO said she didn’t think Madonna was trying to be a teenager. The Queen was dancing, singing, doing her thing, and we were lucky to be a part of it.
How many musical icons not only survive but prosper as they head gently in to that good night? How many still have something to say? The list is short. Prince, Jagger, McCartney, Aretha, Bruce? Maybe. Bowie we just lost, Streisand barely sings anymore, Diana Ross has been MIA for years. Sinatra got it right, but then who else? Who changed pop music forever? Who’s left?
*All Hong Kong concert photos courtesy of a lovely and talented friend who had way better seats than I did! 😉
It’s been a few days but I’m still buzzed from my Clockenflap experience. Kil Sun Moon, Rachael Yamagata, The Skatalites, Clean Bandit, Earth, Wind & Fire Experience, Swervedriver, cold beer, good food, best friends, EO and YO having a blast. And I haven’t even mentioned Sunday night! Oh Lord.
But before I get to that thrilling climax, let me tell you about a group of très intéressant folks I met at the festival. I spotted them as soon as I arrived on Saturday. Dressed all in black, they stood looking out at the harbor away from the crowds before wandering over to the Yamagata show. There they sat on the ground, passing around bottles of Smirnoff and playfully photo-bombing the family snap occurring in front of them. They seemed to inhabit their own little galaxy of urban style, as if they had landed in Hong Kong from another, cooler (and colder) clime: the West Village, Rue Bichat, Shoreditch, a Fellini sound stage?
Maybe I don’t get out much (truth: I don’t), but this foursome exuded a confidence and panache I don’t see very often in HK. Yet they didn’t strike me as posers. Who were they?
So I asked.
Ashley, Anthony, Carmen and their shy friend all grew up in Hong Kong and range in age from mid-20s to early 30s. The chatty ones were best friends Anthony and Ashley who met at Clockenflap two years. Anthony runs his own clothing store specializing in Korean and European fashion while Ashley is a graphic designer interested in branding and typography. The duo said their coordinated look was not actually inspired by Paris but it was designed for impact. As Anthony explained, “Maybe it’s too hot and no one will wear a long coat today so you think we will look more outstanding.”
When I asked what’s been the reaction so far to their collective chic, Anthony laughed and said people wonder, “Do you feel hot today?”
Style knows no pain (or heatstroke).
In a town where business dress rules, you’ve got to admire the modish quartet – celebrating, enjoying and perpetuating the long relationship between music and fashion. And by the way, Yamagata was also dressed in all black so they were in good company.
I saw a lot of great bands over the weekend, and judging by their comments, they had a fun time here too. Many acts were Hong Kong newbies, and they seemed a bit surprised and overwhelmed by the dramatic setting as well as the enthusiastic crowds. The festival was incredibly well-organized, and the staff super friendly. I mean, if the beer sellers are still smiling at 9pm on Sunday night then you know some positive vibes are permeating the Clockenflap grounds. My only complaint was that I couldn’t be in two places at once!
But as the sun set on Sunday evening, there was only one place I wanted to be: as close to the front as possible at the Harbourflap stage. That’s where Nile Rodgers and his talented, airtight band were tearing through dozens (and I do mean dozens) of songs that he wrote, co-wrote, produced, played on and/or infused with his magic disco touch. A collection of hits and acts that span four decades: CHIC, Diana Ross, Sister Sledge, Madonna, David Bowie, Duran Duran, Daft Punk. Rodgers spoke of surviving cancer and realizing every day is a gift, and he was generous in praising his bandmates. When he introduced the last song, ‘Good Times’, he said the tune always inspired a disco party on stage. And then he brought out Unsung Heroes, a Hong Kong domestic worker choir, to dance, sing and take selfies with him and his band. It was a party, absolutely.
I had a half hour to grab a beer and a box of Vietnamese noodles before the last act of the weekend, New Order, took the stage. My day had started at 5:30 in the morning, and my knees were aching from a.m. hiking on DB and p.m. dancing to CHIC. But I didn’t want to go home early because hey! how many times will I get to see New Order? My hardcore-fan friends made their way to the front, but I moved over to the left with another friend, strategically close to the exit, and on a set of stairs where I could rest my weary legs. The location afforded us a view of the stage, the crowd and the entire HK Island skyline across the harbor. The pano function on my phone camera just couldn’t do justice to the surreal and wondrous night.
When New Order gifted us with an encore of ‘Love Will Tear Us Apart’ and ‘Blue Monday’, we ascended to another plane of existence – somewhere between the suburban innocence of the ‘80s and the vibrant metropolis that is Hong Kong, 2015.
I haven’t witnessed this much ecstatic mopey-head dancing since prom night.
Thanks Clockenflap and see you again next year!
Randy from Baton Rouge
Randy from Baton Rouge who was a great dancer not so great kisser took me to the Propaganda concert Fall semester which I thought was a date but asked me after to reimburse him for the ticket not that I would have minded if the evening had been prefaced by this request and if the band had blown my mind instead I resisted paying for weeks and was relieved we weren’t running in to each other on campus until I heard he’d taken medical leave before finals due to emotional issues which my roommate said was despair at being outed by a Classics major who’d broken his heart and he ended up transferring anyway so that I never did pay him back and we truly stopped running in to each other, Randy from Baton Rouge I’m sorry.
Consider seriously if I really wanted to get back together or did I say yes because he had sixth-row seats to David Lee Roth’s first solo tour and I was curious to see if Diamond Dave was going to be better or worse than the Sammy Hagar-led Van Halen which I’d seen less than two weeks prior with my best friends not that either of those bands were my absolute favorites not even top ten but it was almost summer and I missed having a boyfriend and I thought maybe just maybe those old feelings would return but in the end what I realized was obvious, nothing could ever be as good as Van Halen circa 1984.
That Velvet Jacket
You try going to a Bryan Ferry concert where the theater is Art Deco and the cocktails are strong and Bryan’s singing in a maroon velvet jacket and not feel something for your date who happens to be the consensus best-looking guy in the graduate film program what with his dark ponytail and the way he wears a tool belt and gloves when he’s gaffing though you know you shouldn’t even call him your date because he has a girlfriend and you’re practically engaged and you’re just going together because you both love Roxy Music and no one else can afford tickets or wants to skip that night’s seminar on Billy Wilder’s Ace in the Hole, did I mention how strong the drinks were?
A little flash (absolutely) fiction on a Friday night.
© Jennifer S. Deayton
I’m looking for a little advice here and I’d appreciate your help. As you know, therockmom blog has been trucking along for five years now. I started it as a way to establish a writing routine for myself and share my passion for music. Since then, it’s morphed in to a half music / half motherhood
vanity project blog, with the parenting posts generally garnering the most attention. Along the way, I’ve tried to expand my audience by linking to various blog collectives and mummy and expat sites, none of which offer compensation or any kind of ad-sharing opportunities. That’s been fine with me, as I never expected any money from this gig. But now, I guess I’m getting enough eyeballs and I’ve been approached by an Australian outfit that would like me to become one of their (get ready for it) ‘social media influencers’. It sounds a lot fancier than it is, as it’s basically me agreeing for them to host ads on my site. Some smallish ads and vids would start appearing and maybe I’d get a bit of money. Sounds pretty good, right?
So why do I feel like Mia Farrow in Rosemary’s Baby?
Would you think less of me and the blog if say an ad for Lady SpeedStick appeared next to my post about the awesome vocal power of Joan Smith from Little Foot Long Foot?
Would I be selling out to The Man?
I don’t know why I’m so naturally suspicious of these things. It’s not like I was raised by socialists or anything. But I’m confused. So now I’m asking you – because I feel like we’re in this together – for advice, thoughts, suggestions, the phone number of a good lawyer 😉 jk. Who knows? I could make enough money to hire Black Joe Lewis for my next birthday party. Or not.
Let me know what you think! And while you’re doing that, listen immediately to the awesome vocal power of Joan Smith from Little Foot Long Foot. New EP WOMAN comes out next week.
Thanks for your help!
The Serious Business of Talent Shows
It was one of those lump in your throat moments. A flashback to my younger self and a bittersweet flash forward of a young girl growing up in front of my eyes.
It was my daughter’s talent show.
The Year 5 and 6 talent show was not meant for parents. But I happened to be at school that day helping in my younger daughter’s class, so I asked my older daughter’s teacher if I could quietly perch in a corner of the hall for the show.
The group of five girls was dancing to (oh, irony) Lady Gaga’s ‘Just Dance’. One of the girls, who goes to a hip-hop class, had choreographed the routine. There was considerable back and forth about costumes: black t-shirts, jean shorts check. Hair up, hair down? Baseball caps on or off?
They had discussed and rehearsed during lunchtimes and breaks. We parents had nothing to do with this performance at all. We didn’t even have to arrange carpools!
When I told my daughter I might pop in to watch she didn’t seem to mind. When I asked her if I could bring along a big poster a la American Idol and yell out some whoop-whoops, she screamed and pummeled me with her fists.
‘What?’ I asked, ‘You don’t want me to embarrass you?’
She screamed louder. I promised to behave.
The show began with a group of Y6 girls sort of dancing, not quite karaoke’ing, but mouthing the words to ‘Fireflies’ by Ocean Eyes. Their teacher sat near me, reminding her students in the audience to show ‘big smiles’ and ‘encouragement’ and clap for those courageous kids on stage.
The acts that followed – a tap dancing duo, a drum solo and a comedy skit (boys in crazy wigs, always good for a laugh) – revealed an earnestness and seriousness of purpose that can still surprise me. Maybe the joy is in finishing?
It was now the Ladies GaGa’s turn. My daughter and the choreographer took the front two spots while the other three (taller) girls stood behind. Turns out the back three didn’t know the routine quite as well, and they spent a good portion of the dance giggling at each other and trying to catch up.
But those front two? Man, they owned it.
They sang along and danced with confidence, wonderfully free and unembarrassed. The steps were simple hip-hop moves – neither raunchy nor suggestive – and everyone clapped when it was over.
My daughter is changing so much. I turn around and her new self appears before me, taller than yesterday and oh so competent.
Many years ago, my friend, Christine Chapa, and I danced to “Night Fever’ at our elementary school talent show. We wore pink shorts and t-shirts with our names ironed on the back. I remember walking home from school that day under a brilliant blue sky. I still had my costume on, and I felt like a fluffy white cloud up there.
At my daughter’s show, I felt the same high. I also felt my eyes moisten, and I wondered why I get so emotional.
But right at the end, I managed a slightly muffled whoo-hoo!
Go Ask Alice… For Lady Gaga Tickets
She has special powers, she knows things, she wants to be my friend.
Her name is Alice, and I met her on my first attempt to buy Lady Gaga tickets. I know, I know, I’ve always been a bit harsh on the Lady, but she’s starting her Monster Ball tour in Asia – playing three shows in Hong Kong in May.
So you’ll have to allow me a little motherly over-enthusiasm as I entertain visions of EO and I enjoying the spectacle and grooving to ‘Americano’ (we loved it in Puss n’ Boots). But, alas, I underestimated LG’s worldwide appeal and absolutely have not been able to score tickets.
This is where Alice comes in. I met her on the very first day of ticket sales, when I fell in to the rabbit hole of savvy marketing, scalpers and professional line-standers. Here I thought I was being clever: no online nonsense or hanging on the telephone for me. I rocked up to the Tom Lee music store, old school style, before they opened for sales. Well, me and about 30 other people. Nuts! As I was waiting and barely budging in line, a local (Hong Kong’er) lady approached to take the spot of an elderly man standing in front of me. I squared my shoulders and prepared to confront this, this – line-cutter, when she said he was just holding the space for her. In retrospect the old guy probably thought he was waiting for lai see rice not a Government Hooker (though he might have been pleased with that too).
I was curious by this turn of events and the seemingly innocent and naive-looking woman named Alice. We got to talking and she told me she’d camped out the night before and was able to purchase eight top price tickets. The old guy was her chance to buy even more tickets. She was of indeterminate age (anywhere between 28 and 45 I’d say) and just slightly – how can I be kind here – maybe one card or two short of a full deck. If she believed in unicorns, I wouldn’t be surprised.
But Alice had a major score on her hands. Even the stylish woman in front of us with the Celine sunglasses said she’d easily pay twice maybe three times face value. Easily! Me, I was hoping for nosebleed seats somewhere affordable, and I wasn’t about to pay face value for top seats – US$200 – even if Alice had been willing to part with them. In Mommy math, two front section tickets equals a whole term of EO’s ballet lessons, with money left over to buy me a tea and muffin while I’m waiting for her.
Then Alice told me she didn’t even like Lady Gaga and was just purchasing tickets for a ‘friend’. I was intrigued. She’s a pro, is she? I asked more questions – what’s her angle, where’s the game? The teddy bear sweatshirt is just camouflage, is it? I learned of a graduate degree earned in the States, a disability (something about her leg though she had no limp), and an unsettling incident of getting messed over for Leon Lai tickets. He’s her favorite Canto-pop King – think of Jason Mraz, make him even more bland and put him in a sweater. Leon Lai is an infinity pool i.e. completely edge-less.
Alice told me of scalpers who hire the local Indian and Pakistani boys to keep a place in line. Labour is cheap in Hong Kong, so this scheme works for everything by the way, from concert tickets to iPhones to one-off McDonald’s Hello Kitty toys. We continued to talk in line, and just as I thought I was about to get some real info out of Alice, the Tom Lee clerk came out to tell us they were sold out.
The diehard concertgoer in me couldn’t let go without a fight and I was thinking Alice was my best chance. So we exchanged phone numbers, and I very nicely and shamelessly told her I just wanted a couple of tickets for me and my daughter. If you hear of anything…
That was a mistake.
I rushed off from Tom Lee to a meeting and, like a character caught in a David Mamet play, I started getting calls from Alice. Weird rambling one-way traffic about not wanting anyone to find out, maybe she’s told me too much, she doesn’t want any trouble and then: am I a Christian? Am I Catholic? Do I want to be friends? She was weirdly endearing, and I wasn’t scared. Honestly. In fact I started to feel like Jack Donaghy with my very own Kathy Geiss. (Cue the Marky Mark scrapbook! On second thought, no.)
Then last Thursday night – after I missed out on tickets for the second show – I got a late-night call from Alice to tell me of a bonus third show with tickets going on sale Friday morning. Bless her, she has my best interests at heart. But Friday morning was YO’s school show, and I knew my real responsibilities rested with watching her, dressed as a member of a lost tribe, playing a big drum and singing about how to save the environment. Let’s see LG top that!
My compromise was to rush down to Tom Lee after the show, thirty minutes after tickets went on sale. This was my last chance and when I arrived: ri-dic-u-lous! A line of 80-100 people waiting patiently outside, surrounded by a half dozen cops (Hong Kong loves a crowd to control!) and the remnants of a night or two spent outside: soiled newspapers, camp stools, pot noodle debris. I started to have flashbacks to Monsters of Rock. Inside the shopping arcade, a smaller group – college kids and the elderly – were allowed to queue by the entrance to Tom Lee. They’d been camping out for two days and were still waiting to buy tickets! After hearing that, I immediately turned around and left the building.
Remember that great ’80s franchise, Lethal Weapon? Where Mel Gibson had a mullet and Cuban heels and Danny Glover was the older, family man cop? And every time Mel and Danny got entangled in something crazy and dangerous, Danny would say, “I’m getting too old for this shit.”
That pretty much sums up my quest for Lady Gaga tickets. But I’m going to stay positive because I’ve learned a few things lately:
1. None of EO’s friends’ moms managed to get tickets either, so I’m pretty much off the hook.
2. I’m not a college kid anymore, and I do need to plan for retirement. A second career as a professional line-stander is looking pretty good to me now. So when Lady Gaga’s on her third comeback, I can get tickets for my daughter and my granddaughter.
3. Most importantly, I’ve made a new friend. Alice’s last text suggested I look in to LG’s Seoul show: tickets are reasonable and, she says, Korea is worth visiting.
When logic and proportion have fallen sloppy dead…