Category Archives: pop culture
Tom Selleck acts with his mouth.
It’s a subtle but effective talent.
Most actors focus on how and what their eyes convey to the audience. Whether their characters are listening, reacting, retreating or attacking, they project it all through their eyes.
But with Selleck, both his emotions and his authority as NYC Police Commissioner Frank Reagan emanate from the nose down. The dimples appear when he’s caught out asking campus security to watch granddaughter Nicky (Sami Gayle) when she’s at a college party. The lips purse when he’s faced with a fugitive on the run, a potential bomb disaster or a dirty cop. And the mustache – of course the mustache – wiggles ever so slightly when he’s invited back to a woman’s hotel room. (This has happened a few times over 6+ seasons, not that I’m keeping count or anything.)
I never noticed Selleck’s mouth when I was a kid watching Magnum P.I. Back then he often let his eyebrows, his chest and his Ferrari do the talking. I also missed a good deal of his story arc as Monica’s older boyfriend on Friends. But once my 83-year-old aunt introduced me to the Blue Bloods universe (that multi-generational American drama on CBS), I gained a new appreciation for Selleck’s understated charisma and his enduring sex appeal.
Now I know what you’re thinking: rockmom, you watch Blue Bloods? A network drama with a geriatric audience about law and order white folks? Blue Bloods?
Yes, I do. I even purchase seasons on iTunes. Proudly.
While it’s true that Blue Bloods draws the oldest viewers on television – median audience age is 62.5 – and depicts characters who probably lean to the right politically, it’s also a show that I regularly enjoy with my teens. One that always inspires what-would-you-do-in-that-situation conversations and an appreciation for Assistant District Attorney Erin Reagan’s (Bridget Moynahan) tough but tender parenting. So when my kids give me a hard time about curfew times, we can watch the episode where Nicky’s arrested, and I can say: see, it could be worse. Her Mom made her spend a night in jail!
More importantly, in this never-ending, divisive election cycle – Red v Blue, Us v Them, Deplorables v Elites – Blue Bloods is one of the few designated safe conversation zones for me and my far-right, Clinton-hating relatives. There’s also the weather, college football, food and… well, that’s about it.
As an expat living in an international, fairly liberal echo chamber, I always experience a bit of a rude awakening when I return home to Texas for holidays. Mind you, there are a lot of wonderful things I can only enjoy when I’m back: Shiner beer, cheese enchiladas, perfect brisket, old friends and bluebonnets. But then I also have to be around people who tell me, out loud: ‘Blacks are bad tippers’ or ‘Hispanics don’t know how to look after their kids’ or ‘You can’t tell a good Muslim from a bad Muslim’ and of course the iniquitous assertion that ‘Of course, Obama is a Muslim from Kenya.’
It’s wearying. It’s depressing. It makes me wish Frank and his dimples would appear with a bottle of single malt and a couple of glasses.
But what can I do? This is family. I’m sure Father Quinn (Frank’s priest) would counsel: hate the sin, love the sinner.
And just keep watching TV. That great American cure-all.
At this moment in our nation’s unsettled history, I’m sure a lot of other families of mixed political persuasions could benefit from the moral clarity, compassion and generosity that Blue Bloods offers. I’m thinking specifically of Anglo-Saxon families that haven’t forgotten their own religious and immigrant roots. If, like me, you have a Catholic Dad who once bought everyone Christmas presents from the All Things Irish shop then you know exactly what I’m talking about!
With Blue Bloods, I might disagree with Frank’s support for the death penalty, but I can respect his convictions, and admire how good he looks in his sunglasses. I can also enjoy an hour when certain things are reassuringly, crystal clear. For one, according to Detective Danny Reagan (Donnie Wahlberg), there are only two kinds of people in the world: scumbags and not-scumbags. His job is to catch the former and help the latter. Don’t be a scumbag.
Second, there’s no problem so big that it can’t be solved with roasted meat and red wine. A beer and a chat with Grandpa also helps.
Further to that, it’s okay if Sunday dinners are contentious. Talk it out, disagree, argue, but above all, come back next week. We’ll be serving turducken.
Lastly, let’s not forget about the women on Blue Bloods. Because, you know, if this were a Hollywood movie, Moynahan would be playing Selleck’s love interest and not his daughter. So yay (!) to that casting decision. And yay to the other strong-minded women on the show: Linda (Amy Carlson), Janko (Vanessa Ray), Nicky and detectives Baez (Marisa Ramirez) and Curatola (Jennifer Esposito).
Can I also add that, as we all inch closer to Blue Blood’s median audience age, it should give us hope to see that Frank has very likely seen more action in the bedroom than his two single kids – Jamie (Will Estes) and Erin. (Not that my aunt and I discuss these things, oh no, not us!) I mean I’ve never fired a gun and would rather not dwell on Selleck’s association with the NRA. However, the season 2 episode where Frank buys Melanie (his foreign correspondent/booty call) a custom-made, leather thigh-holster for her concealed carry is, I’m not afraid to admit, incredibly hot.
So you see, Blue Bloods can bring liberals and conservatives together!
Now I know what you’re thinking, because I am too: the GOP chose the wrong ‘80s-era personality to top the ticket.
Tom Selleck photo by Dominick D [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons.
It’s morning somewhere.
On the ’90s nostalgia train this week: trip hop & Ally McBeal, sundresses & biker boots. Sneaker Pimps’ 6 Underground launched me in to a Bond-esque orbit. It was really just the 405. Driving, driving, driving. Sunroof, Slurpee, Sunset. Imperial Highway, I-10, PCH, Santa Monica Bou-le-vard. K.C.R.W. The bubble of film school, where you could navel gaze, roller blade & delay, delay. I worked for a woman who Fed-Exed her Armani suit from Cannes to LA. Because she had vacation plans in Italy, after. I drove the box up through the Hollywood Hills & left it with her caretaker. Her pool was kidney-shaped.
AIDS was reality’s shadow. A friend of my cousin; he’d come to WeHo from Florida. He played me Mariah Carey for the first time. Vision of Love. And paid me well to sand & spackle the walls of a condo he bought, about a year before. The down payment came from money he’d embezzled from work. He never got caught. He just passed away.
Vision of Love is still my favorite Mariah song.
And 6 Underground is the business.
“And meanwhile the man was falling from space
And everyday I wore your face
Like an atmosphere around me
A satellite inside me”
How is this song NOT about David Bowie? I wonder every time I listen to it – “How Big, How Blue, How Beautiful” – the title track from Florence + The Machine’s latest album. I imagine young Florence Welch discovering Bowie as a teenager, sometime in the late ’90s, painting her face with a glittery lightning bolt (everyday I wore your face) and dancing around her bedroom, entranced.
But no, apparently this song is an ode to the California sky, influenced by Florence’s time in the U.S. and her increasing fascination with American music (whether Motown or Laurel Canyon).
The song is stunning, no matter what or who inspired it, and it’s been on constant rotation in my ears. I’m still in a little mourning for the great Starman, and feeling lately like logging on to Twitter or FB is just the daily equivalent of asking: who’s dead now? So songs of comfort and beauty feel quite necessary now.
Here’s a video version of not-quite-the-whole song, filmed (unsurprisingly) under a bright blue sky. The short video was directed by Tabitha Denholm & Vincent Haycock.
Have a good week, x
This week, in a beautiful generational symmetry, EO and I went to Madonna’s Rebel Heart concert here in Hong Kong. My one and only Madonna show prior to this was a floor seat at Austin’s Frank Erwin Center on the Like a Virgin tour, May 1985, a few weeks before I graduated from high school. This spring, EO will attend her first formal dance and ‘graduate’ Y11 before beginning her school’s two-year IB program. Over thirty years between our rites of passage and yet here was Madonna – in fearsome form and wicked wit, middle-aged, twice-divorced, sex-obsessed, foul-mouthed – here was fucking Madonna.
The fourth best-selling musical act of all time. Superseded only by The Beatles, Elvis Presley and Michael Jackson.
The most successful solo artist in the history of the American singles charts. Let that sink right in while I say her name one more time.
Screw the haters. To hell with the ageist TMZ brigade. Go home if her show starts too late for you. I don’t care how old she is or who shares her bed or even what kind of person she is behind the scenes. All that matters is what she brings to the stage, and in that arena Madonna reigns. Unrivaled. Matchless. Supreme.
She transported her full show to Hong Kong – not always the case with touring artists in Asia – and played for over two hours, joined by her band, back-up singers and about 20 dancers. The concert was a button-pushing visual feast of multimedia images, lights, poles, ramps, stairs, hydraulics and dance. Lots of dance. Throughout the show, Madonna moved seamlessly from one cultural theme to another: Samurais to start; Catholicism (of course) to heat things up; Matadors, Greasers and Flappers to express love and more sex, sex, sex; and then “Holiday” fun to finish. I expected the button-pushing and restless cultural curiosity; Madonna has always championed the unusual and the underground, the more provocative the better. She’s a human synthesizer, and I say that as a compliment. What surprised me, however, was the lightness and vulnerability she showed. She chatted, joked, queried and proclaimed to the audience: don’t ask questions, there is no answer. She wore the mantle of Queen both proudly and irreverently.
But if I could distill her performance, nay her entire artistic existence, down to one point, I would say very simply that Madonna is about the body. All shaking ass, thrusting bosom, beating heart. Her hand on a thigh and a head in her crotch. As a dancer first and foremost, she understands the visual power of motion, of open legs and intertwined limbs. Or as her concert showcased, the stunning impact of one shirtless, muscular man moving on an empty stage with only a billowing scarf for company.
Her raison d’être, if I dare to speculate, has always been about celebrating the amazing, ecstatic things we can do with our bodies, alone and in company. She made that statement with her very first single, “Everybody”, which was released in 1982. Every / Body / Come on / Dance and Sing. And she continued that manifesto by shining a light on how others try to stop us from said ecstasy, whether it’s an overbearing patriarchy, Catholic constraints on sexuality or our very own hang-ups. Every / Body / Get Up And / Do Your Thing. Madonna’s body electric is both personal and political, and she makes her stand not only with music and lyrics but movement as well. As if Martha Graham were a pop star…
After the show, EO and I speculated as to what Madonna would do between her two shows in Hong Kong. (If you see her hiking The Peak, tell her I said Hi!) I figured after 2+ hours on stage, in heels, she probably needed some serious physio, or at least a massage. The thought made me a little sad. Madonna’s getting older, her knees must be killing her.
I know a lot of people reckon she’s well past her prime, that the best she can do these days is hitch her wagon to Nicki Minaj or Drake. But I disagree. Though I hadn’t seen her in concert for decades, her Rebel Heart show was indisputable proof that her creative vigor and taste for provocation is alive and well. She still owns the stage, whether she’s alone and singing “La Vie En Rose” or leading her dancers down the catwalk in a fantastic rendition of “Deeper and Deeper”, everyone strutting and vogueing. Even EO said she didn’t think Madonna was trying to be a teenager. The Queen was dancing, singing, doing her thing, and we were lucky to be a part of it.
How many musical icons not only survive but prosper as they head gently in to that good night? How many still have something to say? The list is short. Prince, Jagger, McCartney, Aretha, Bruce? Maybe. Bowie we just lost, Streisand barely sings anymore, Diana Ross has been MIA for years. Sinatra got it right, but then who else? Who changed pop music forever? Who’s left?
*All Hong Kong concert photos courtesy of a lovely and talented friend who had way better seats than I did! 😉
It’s been a few days but I’m still buzzed from my Clockenflap experience. Kil Sun Moon, Rachael Yamagata, The Skatalites, Clean Bandit, Earth, Wind & Fire Experience, Swervedriver, cold beer, good food, best friends, EO and YO having a blast. And I haven’t even mentioned Sunday night! Oh Lord.
But before I get to that thrilling climax, let me tell you about a group of très intéressant folks I met at the festival. I spotted them as soon as I arrived on Saturday. Dressed all in black, they stood looking out at the harbor away from the crowds before wandering over to the Yamagata show. There they sat on the ground, passing around bottles of Smirnoff and playfully photo-bombing the family snap occurring in front of them. They seemed to inhabit their own little galaxy of urban style, as if they had landed in Hong Kong from another, cooler (and colder) clime: the West Village, Rue Bichat, Shoreditch, a Fellini sound stage?
Maybe I don’t get out much (truth: I don’t), but this foursome exuded a confidence and panache I don’t see very often in HK. Yet they didn’t strike me as posers. Who were they?
So I asked.
Ashley, Anthony, Carmen and their shy friend all grew up in Hong Kong and range in age from mid-20s to early 30s. The chatty ones were best friends Anthony and Ashley who met at Clockenflap two years. Anthony runs his own clothing store specializing in Korean and European fashion while Ashley is a graphic designer interested in branding and typography. The duo said their coordinated look was not actually inspired by Paris but it was designed for impact. As Anthony explained, “Maybe it’s too hot and no one will wear a long coat today so you think we will look more outstanding.”
When I asked what’s been the reaction so far to their collective chic, Anthony laughed and said people wonder, “Do you feel hot today?”
Style knows no pain (or heatstroke).
In a town where business dress rules, you’ve got to admire the modish quartet – celebrating, enjoying and perpetuating the long relationship between music and fashion. And by the way, Yamagata was also dressed in all black so they were in good company.
I saw a lot of great bands over the weekend, and judging by their comments, they had a fun time here too. Many acts were Hong Kong newbies, and they seemed a bit surprised and overwhelmed by the dramatic setting as well as the enthusiastic crowds. The festival was incredibly well-organized, and the staff super friendly. I mean, if the beer sellers are still smiling at 9pm on Sunday night then you know some positive vibes are permeating the Clockenflap grounds. My only complaint was that I couldn’t be in two places at once!
But as the sun set on Sunday evening, there was only one place I wanted to be: as close to the front as possible at the Harbourflap stage. That’s where Nile Rodgers and his talented, airtight band were tearing through dozens (and I do mean dozens) of songs that he wrote, co-wrote, produced, played on and/or infused with his magic disco touch. A collection of hits and acts that span four decades: CHIC, Diana Ross, Sister Sledge, Madonna, David Bowie, Duran Duran, Daft Punk. Rodgers spoke of surviving cancer and realizing every day is a gift, and he was generous in praising his bandmates. When he introduced the last song, ‘Good Times’, he said the tune always inspired a disco party on stage. And then he brought out Unsung Heroes, a Hong Kong domestic worker choir, to dance, sing and take selfies with him and his band. It was a party, absolutely.
I had a half hour to grab a beer and a box of Vietnamese noodles before the last act of the weekend, New Order, took the stage. My day had started at 5:30 in the morning, and my knees were aching from a.m. hiking on DB and p.m. dancing to CHIC. But I didn’t want to go home early because hey! how many times will I get to see New Order? My hardcore-fan friends made their way to the front, but I moved over to the left with another friend, strategically close to the exit, and on a set of stairs where I could rest my weary legs. The location afforded us a view of the stage, the crowd and the entire HK Island skyline across the harbor. The pano function on my phone camera just couldn’t do justice to the surreal and wondrous night.
When New Order gifted us with an encore of ‘Love Will Tear Us Apart’ and ‘Blue Monday’, we ascended to another plane of existence – somewhere between the suburban innocence of the ‘80s and the vibrant metropolis that is Hong Kong, 2015.
I haven’t witnessed this much ecstatic mopey-head dancing since prom night.
Thanks Clockenflap and see you again next year!
Randy from Baton Rouge
Randy from Baton Rouge who was a great dancer not so great kisser took me to the Propaganda concert Fall semester which I thought was a date but asked me after to reimburse him for the ticket not that I would have minded if the evening had been prefaced by this request and if the band had blown my mind instead I resisted paying for weeks and was relieved we weren’t running in to each other on campus until I heard he’d taken medical leave before finals due to emotional issues which my roommate said was despair at being outed by a Classics major who’d broken his heart and he ended up transferring anyway so that I never did pay him back and we truly stopped running in to each other, Randy from Baton Rouge I’m sorry.
Consider seriously if I really wanted to get back together or did I say yes because he had sixth-row seats to David Lee Roth’s first solo tour and I was curious to see if Diamond Dave was going to be better or worse than the Sammy Hagar-led Van Halen which I’d seen less than two weeks prior with my best friends not that either of those bands were my absolute favorites not even top ten but it was almost summer and I missed having a boyfriend and I thought maybe just maybe those old feelings would return but in the end what I realized was obvious, nothing could ever be as good as Van Halen circa 1984.
That Velvet Jacket
You try going to a Bryan Ferry concert where the theater is Art Deco and the cocktails are strong and Bryan’s singing in a maroon velvet jacket and not feel something for your date who happens to be the consensus best-looking guy in the graduate film program what with his dark ponytail and the way he wears a tool belt and gloves when he’s gaffing though you know you shouldn’t even call him your date because he has a girlfriend and you’re practically engaged and you’re just going together because you both love Roxy Music and no one else can afford tickets or wants to skip that night’s seminar on Billy Wilder’s Ace in the Hole, did I mention how strong the drinks were?
A little flash (absolutely) fiction on a Friday night.
© Jennifer S. Deayton
Thanks everyone for reading and participating in my quiz: Trending Baby Names or James Spader in the ’80s?
Here are Spader’s muy beloved characters from the ’80s. Do you have a favorite?
Let me know!
2. Fenwick – Diner (TV short), 1983
3. Lowell – Family Secrets, 1984
5. Morgan – Tuff Turf, 1985 (Kim Richards was the love interest, FYI)
7. Dutra – The New Kids, 1985
8. Richards – Mannequin, 1987
11. Digby (I inadvertently wrote Dutra twice, so changed this later. Sorry for the confusion!) – Greasy Lake, 1988
13. Steff – Pretty in Pink, 1986 (Those deconstructed linen suits and loafers, no socks)
17. Graham – Sex, Lies and Videotape, 1989 (his most normal name for arguably the weirdest guy in the bunch)
18. Deforrest – The Rachel Papers, 1989
20. Rip – Less Than Zero, 1987
As for those trending baby names, most of them came courtesy of The Huffington Post. But there are three baseball-loving boys in North Carolina who deserve a mention:
Price, Grey and Preston (future attorneys-at-law) – you rock!
Hi all & welcome back to a bit of weekend fun. A rockmom quiz inspired by a group of young boys we encountered at a minor league baseball game over the summer.
The trio sat in front of us the whole evening: chatting, wearing their giveaway jerseys and eventually – inevitably – pouring ice cubes down each others’ backs. As local boys and fans of the team, they knew a lot about the players, such as who’d been called up to the bigs, who was the team’s best left-handed pitcher and what the heck OPS stands for (on-base plus slugging, a sabermetric i.e. ‘extra fancy’ stat). Their parents were sitting several rows behind and would periodically call out their names. As you can imagine in 2015, the Year of Our Whole Foods, there was absolutely no Tom, Dick or Harry in this group. They all had names that sounded like partners in an accounting firm. Or, as I realized a few weeks later when Pretty in Pink popped up on cable (you can’t not watch it), the names of James Spader characters from the 1980s.
His best roles, IMHO.
But I won’t say any more. See if you can identify each name as either a James Spader movie character from the ’80s or a current popular boy’s name.
Enjoy yourself and please, no fair consulting IMDB! I’ll post answers on Monday.
- Richards (with an ‘s’)
Take one recent Vanity Fair article on the Laurel Canyon music scene of the late ’60s (Joni, CSNY, Mamas & Papas) add an NPR think piece on outrageous musicians plus a dash of the new Kim Gordon memoir. Sprinkle liberally with my longing for new Fleet Foxes material (when, oh when?) and what do you get?
Father John Misty aka Josh Tillman aka my latest obsession.
I may tire of his skinny, hipster swagger – lumberjack beard, ’70s sunglasses – but his voice and his hair are awesome. He was in the Fleet Foxes for a few years while also working on solo material, and his latest album, I Love You, Honeybear is just as earnest, though less inscrutable, as anything from the Seattle band. He writes and sings honestly (and outrageously, per NPR) about sex and love and the power of a good woman; that would be his real-life wife, Emma Elizabeth Tillman. The messages, however candid and explicit as in ‘When You Are Smiling and Astride Me’, are wrapped in such golden melodies and heartfelt singing that you don’t always register him as an agent provocateur. I heard ‘Bored in the USA’ and thought, ‘Oh, a political satire song,’ but as for the other tunes, I didn’t appreciate their underlying themes until I’d read Ann Power’s take on his music (the aforementioned NPR piece).
However, for me, what stands out first and foremost is the beauty of his voice. It definitely has a retro quality to it, as if he’s sitting in a cottage in Laurel Canyon, harmonizing with Linda Ronstadt and sharing a joint with Gram Parsons.
Check out his performance from KEXP (the one at the top) and let me know what you think!
Have a good week 🙂