Monthly Archives: May 2014

THE TEENAGE MIND: a rockmom comic

My first comic! A collaboration with artist/illustrator Bonnie Wong:







page7(no gun)(doctor)




Story & Text: Jennifer S. Deayton
All Artwork: Bonnie Wong
For reprints & permissions, please contact:

About the Artist:

Bonnie Wong is a Hong Kong-based Illustrator. She is now pursuing her Illustration degree in Savannah College of Art and Design(Hong Kong). She works with analog materials and digital. She loves to observe and explore the world. She transforms her everyday thoughts into forms of art as a way to react to the world. They are artworks that communicate.
For more info and artwork, please go to:

Monday Morning Music – The War On Drugs

Sometimes, well a lot of times actually, you get a little obsessive about a song, listening to it over and over again. For me these days that song is ‘Under the Pressure’ from The War On Drugs. It’s almost nine minutes of dreamy, moody pop, anchored by a simple piano-based melody. The ambient layers and clean guitar lines remind me so much of Roxy Music’s Avalon. However, Adam Granduciel’s vocals are a bit rougher, grittier than Bryan Ferry’s crooning so you get this romantic but rustic feel – woodsy, if that makes sense. It’s really beautiful and it’s no surprise to me that the band often gets compared to Tom Petty, one of our great romantic rockers.

Long pop songs that are really worth those extra minutes are hard to find. But, this being the internet age, of course someone – the UK’s NME – has posted a playlist (!!) of that exact thing. BEST LONG SONGS is a mix of pop, rock and r&b with the only link being every track is over seven minutes. Nice to see ‘Sinnerman’ follow ‘Blue Monday’ but where is Death Cab for Cutie’s indie opus ‘I Will Possess Your Heart’? Man, I listened to that on repeat for about six weeks back in ’08.

But going back to The War On Drugs, I’m not familiar with their earlier incarnation, when Kurt Vile was part of the band and they wore their Bob Dylan influences on their sleeves. The band’s latest album Lost in the Dream is my introduction and while I do hear Dylan’s impact, especially on the slower songs and vocals, the sound is much more layered and full to be considered folky or even singer-songwriter. In an interview with Rolling Stone, Granduciel said, with the new album, he wanted to move away from the way he used to compose and write songs that “people could connect with on another level”.

For more War tunes, I’ll leave you with the official ‘Red Eyes’ video. Enjoy!

Talking Rock, Writing & Darius Rucker with Author Suzanne Kamata

So one of the best things about being part of the ‘Dragonfruit’ anthology is getting to know the work of other expatriate women writers. Women such as award-winning author, Suzanne Kamata, who lives in Japan. Her anthology essay, ‘Love and Polka Dots’, tells of a museum trip with her daughter, who is a budding artist herself but disabled, much like the artist they’ve come to see – Yayoi Kusama.

Writer, teacher, rock neighbor

Writer, teacher, rock neighbor

Suzanne’s interested in strength through self-expression and how creativity can be an empowering force, especially for young people. Two of her YA novels – Screaming Divas and Gadget Girl: the art of being invisible – deal directly with this idea. And since the protagonists of Screaming Divas start an all-girl rock band (heck yeah!), I thought it’d be fun to query Suzanne about her musical tastes and influences, and whether or not they intersect with what her kids – two teenagers – are listening to.

Q: Let’s start with your personal experiences with music. As a writer of a rock-oriented book, you must have some seminal music moments in your life. Bands that changed your life and such. Can you share a couple?

A: I remember the first time I heard The Psychedelic Furs. I was in high school, living in Michigan – typical, bored suburban youth. And then I heard this great new band that wasn’t the usual Top 40 or heavy metal, or whatever else we could listen to in that bland town. After that I really got into what we now call “alternative” music. So that was pretty significant.

And I did love The Go-Go’s, and all those girl groups that followed.

I was too shy to get up on stage, so I mostly fantasized about being a rock star. A lot of my male friends were in bands, though. I wasn’t a groupie, but I was a female friend of band members. The band Hootie and the Blowfish used to practice in the house next door to mine, when we were in college. They had keg parties every weekend on the lawn, and they’d invite me over, and we’d drink beer and they’d play until the cops came. When they became famous, I was living in Japan. I took the ferry to Osaka to see them perform live again. Music, in general, has always been very important to me.

Q: What’s the craziest thing you’ve ever done for rock-n-roll?

A: Hmm. I was never too crazy, but as a straight arrow high school student, I managed to get permission to skip a day of school to be d.j. for a day at an alternative rock radio station in Grand Rapids. I wrote a story about it for the school newspaper – my one moment of rock and roll glory. A slightly crazier moment was when I was on foreign study in Avignon. A friend and I hitchhiked a ride with these two hashish-smoking French guys in a Deux-Chevaux to a Simple Minds concert. (Shhh. Don’t tell my mom.) I remember the car broke down on the way home, but it was a great concert.

Q: As I get older, I’ve found new technology has actually restored my faith in music as it’s so easy to discover fantastic music, both old and new. And now that my kids are older I have a lot more time to listen and explore. How about you? How do you consume music these days? And has living in Japan influenced what you listen to?

Only in Japan, folks. (photo courtesy of

Don’t change Japan, don’t ever change. (photo courtesy of

A: I totally agree. I love having access to music from all over the world. Sometimes I stream French radio stations, or more often, I download “All Songs Considered” from NPR onto my MP3 player and listen while I’m exercising. I like to check out YouTube videos. I teach college students, and they sometimes cue me in on popular Japanese musicians, such as Bump of Chicken and Kyary Pamyu Pamyu.

Q: Do you often share your music with your kids? How does that go over? They’re teens so are they very receptive to your tastes? Also, and I’m not sure what the music experience is like for your daughter re beats, melody, lyrics etc., but do you play tunes for her?

A: When my son was younger, I drove him to school every day while playing CDs. He developed a taste for Elvis Presley, Darius Rucker, and Bruno Mars. He really likes Lady Gaga, and some other Japanese groups, like one called Exile. I don’t know exactly what he listens to, because he mostly consumes music on his iPod, but I know that he downloaded some of my music, including Diana Ross and the Supremes‘ Greatest Hits. The first time I heard “Baby Love” leaking out his earphones I was secretly delighted. (The band in Screaming Divas does punk versions of Supremes songs.)

My daughter, who is deaf, has an interest in music, but her experience of it is different, of course. It’s still a little mysterious to me. I think she likes to see outrageously dressed singers. They do a lot of drumming at her school in music class. I think she enjoys the rhythm section. She’s been bugging us (her parents) to take her to karaoke, so maybe we’ll try that sometime soon.

Reflections of... four girls who rock!

Reflections of… four girls who rock!

Q: Can you name three artists you’d really like your kids to know (and hopefully appreciate)?

A: Just to have a solid base in Western music, I think they need to be familiar with David Bowie, Madonna, and Michael Jackson. And maybe Nirvana.

Q: I haven’t read Screaming Divas but I get the impression from the synopsis that rock music is both refuge and springboard for the four band members. What inspired that?

A: That’s pretty much how it turned out, but mainly I wanted to write a novel about an all-girl group. I was inspired by the Riot Grrl movement, which involved many different forms of expression, including ‘zines and art. I think any kind of creative activity can be incredibly empowering. (My previous book was about a girl with a disability who finds strength through drawing manga.) You can create a world for yourself through music or writing or art.

And as a refuge – yeah, music is something that you can just kind of get lost in. I used to spend hours in my room listening to music.

Q: Looking at YA literature as a whole, this seems to be a golden time for gutsy, independent female protagonists. How do you see it? Is the YA heroine the real deal? And what’s so big about dystopian literature – why is it so popular? (this last question is just my personal query 🙂

A: There are certainly a lot of strong heroines, which is a very good thing. Some that come to mind are the main character Jet Black in Jet Black and the Ninja Wind, and Katniss in The Hunger Games. Maybe its popularity has something to do with hard times in real life such as the ongoing wars, bad economy, concerns about global warming. I think that dystopian literature may have reached its saturation point, however. More realistic books are moving into the limelight. My fingers are crossed.

Thanks Suzanne! And thanks everyone for reading!

If you’d like to know more about the work of Suzanne Kamata, find her at:



Monday Morning Music – YAZ

You do realize that the ’80s are to our children what the ’60s were to us? A fascinating period of ancient history that produced a lot of good music, and fashion that was both embarrassing and strangely inspiring. I don’t know how many Hong Kong boys I see around town these days dressed in their porkpie hats, capri jeans and plimsouls+no socks and I think: you probably don’t even know Dexy’s Midnight Runners!

I hear overalls are making a comeback btw.

My sister and I leaned more to the cocktail era of the late ’50s, early ’60s, not so much the hippie/Hendrix upheaval later in the decade. We wanted to look like Audrey Hepburn and sip drinks with a Cary Grant type to the music of Henry Mancini. Swap Audrey for Ann Margaret and you basically have ’80s era Belinda Carlisle. Of course there were tons of ’60s influences on ’80s music, from the beatnik pop of The (English) Beat to the typefaces on many a Go Go’s album cover to the entire oeuvre of The Style Council.

Now that EO is discovering ’80s music, I’ve enjoyed introducing her and YO to some key dance tracks, most notably “Situation” by Yaz. Or Yazoo if you like. I don’t know why this song hasn’t been covered, redone, remixed – celebrated!!! – by one of these dance-pop princesses. It’d be perfect for a young girl with a big voice. Over the years it’s shown up on a couple of midrange movie soundtracks, along with Yaz’s other big hit, “Don’t Go” (in which Teri Hatcher strips/dances to said song for a mullet-wearing Kurt Russell in the movie Tango & Cash. Cringe-worthy on so many levels.) However it doesn’t have the pop culture pervasiveness of a Simple Minds or Tears for Fears tune. It’s a shame really, since it has such a great groove and still sounds so fresh. Not bad for a song that came out in 1982.

The only ‘music’ video I could find is this bit of DIY moviemaking. Must be the YouTube equivalent of fan fiction. But enjoy the tune and tell your kids: “Situation” is an underrated gem.

Have a good week!


That Varjak, Paul feeling

Look for it next month!

Look for it next month!

Remember those scenes in Breakfast at Tiffany’s where George Peppard (Paul) earns a bit of money from his writing and he takes Audrey Hepburn (Holly) out for the day? To do a bunch of things they’ve never done before, like visit the library (her) and steal something (him). Well, I haven’t exactly cashed my cheque, but I can share that giddy, I’m-gonna-be-published (!) feeling with you today. The cover art is out, the release date is set and I’m going to be part of an anthology called How Does One Dress To Buy Dragonfruit: true stories of expat women in Asia. Pretty groovy cover, don’t you think? I can’t say for sure, but I assume that the title’s question will be answered, along with many other interesting queries about life overseas, in the book.

The anthology, published by Typhoon Media/Signal 8 Press, comes out in a month’s time, and my essay is titled “Bread and Knives”. It’s about Hubs and I getting robbed when I was 8 1/2 months pregnant. Danger, excitement, swollen feet!

I’m looking forward to reading all of the other essays, especially the one from a former film professor of mine – Pamela Beere Briggs. She started out as my teacher and became a good friend, so it’s really cool that we’re going to be in a book together.

For more about our work and our editor, Shannon Young, you can check out:

The Signal 8 site

The book’s Facebook page

Shannon’s blog

For Pamela, you can read about her adventures at:

And this, just because: