Monthly Archives: March 2015
“The proof that the little prince existed is that he was charming, that he laughed, and that he was looking for a sheep. If anybody wants a sheep, that is a proof that he exists.”
― Antoine de Saint-Exupéry, The Little Prince
UPDATE ON THE UPDATE: Zayn has left the building.
UPDATE: just as I was about to post today, I read that Zayn Malik has left the One Direction Asia tour. The BBC is reporting Zayn “has returned to the UK after being signed off with stress.” I think most of the audience noticed on Wednesday night that he was a bit distracted. He was also struggling mightily with his earpiece for most of the show. YO and her friends said Zayn’s the ‘shy’ one. We were fortunate to hear him sing and wish him well.
And now back to our regularly scheduled blog:
Let’s disregard those two Moms dancing the Macarena as we waited for the concert to start. Let’s get right past the ridiculous amounts of money I paid for tickets and how I didn’t even get to sit with EO and YO (long story but yes that was me and two other mums, on our own). Let’s also forget how I didn’t make time for the beer line, and let’s move right on to the show, The Show, THE SHOW!
One Direction in Hong Kong, finally! Liam, Louis, Harry, Zayn, Niall and several thousand screaming girls, of all ages. Some boys, too.
EMOTICON interlude: 🙂 😀 😛 ❤ 😎
I’ve been waiting months and months to write about this show. What would the boys be like? Would the girls enjoy the spectacle? Would I know any songs other than those two hits from 2012?
Well, rockmom readers, it was a fun show. I’m glad I went. It was both entertaining and educational. Here’s what I learned:
1. Hong Kong’s live music venues truly suck. Truly. There is no getting around how inadequate the AsiaWorld Expo is. The sound system is muddy; the acoustics even worse; there is zero atmosphere and you get a choice of Starbucks and 7-11 for pre-show snackage. It’s embarrassing frankly and it made me realize we’ll never be able to boast of a homegrown live album that’s the equivalent of Cheap Trick At Budokan! or U2 Live at Red Rocks or (insert famous band) at The Royal Albert Hall. Never. Why can’t Asia’s Fricking World City do better for one of the globe’s most popular bands?
Someone hire the Clockenflap folks to fix this mess, STAT!
2. The bloom fades quickly on boy bands. This you already know, but still it was surprising and a little sad to see so many empty seats at the concert. We sat at the back and peered down on the standing-only floor area, which was only half, maybe two-thirds, full. Always looking on the bright side, the band kept saying how lovely it was to play such an ‘intimate’ venue after a mostly-stadium tour. But I’m wondering if they priced themselves out of the market. The audience was by and large expats, yet surely they have a local following?
3. Speaking of audience members, fully-grown, childless men can also be One Direction fans.
4. If you’re cute enough and sincere and have a nice voice, it doesn’t really matter that you have zero stage presence. Young girls still scream! I, on the other hand, wished those boys had been sent to the Jon Bon Jovi school of stagecraft. Own it, man! You’re a cowboy, on a steel horse you ride!
Is it a generational thing? A British quirk? (No, that can’t be because – Jagger.) I know 1D is proud of the fact that they don’t dance, but they could use some lessons in performing a song as opposed to just singing it. Zayn, Louis, even Harry – yeah, you three.
But having said that and because EO is going to be mad if I rag on them too much, shout out to Liam and Niall for cuteness and personality and guitar-playing and strong voices. Zayn, too, has a wonderful voice, probably the best of the group. But at this venue (which I won’t mention anymore, promise), their vocal gifts were by and large neutralized. Shame that.
5. And lastly, for the existential lesson, which says that the authentic human cannot exist without The Crowd* i.e. the being of others. Explaining every band ever. One Direction has carved out a huge following by presumably being themselves (authentic) – we sing well, we dress how we want, we don’t dance. We are the anti-boy band. The Crowd (tweens and teens) loves us for it.
And yet, as I sat there and my mind wandered during yet another song I didn’t recognize I couldn’t help but feel an existential angst for their futures. A certain inevitability looming on the horizon. Who’s going to end up on drugs or a reality show (not Dancing With The Stars of course)? Who’s going to show the world how talented he is by going solo? The next George Michael or Justin Timberlake? Who’s going to lose his hair? Or marry well (the Posh Spice playbook)? And who btw IS the Andrew Ridgeley** of the band (ahem, I’m afraid it’s my favorite, Louis) because there’s always an Andrew Ridgeley?
Maybe it’s the mom in me, but dammit I want those 1D boys to succeed! They seem really nice. I also want them to be charismatic performers and rethink the tattoos, but you can’t have everything.
Heck, I’m happy they’re still together.
*Camus was here: http://www.iep.utm.edu/existent/#SH1g
**You’ll be pleased to know that Andrew Ridgeley is still happily married to Keren Woodward from Bananarama. They live on the Cornwall coast where Andrew enjoys surfing and golf and doesn’t worry about Wham! reunion rumors. 🙄
Take one recent Vanity Fair article on the Laurel Canyon music scene of the late ’60s (Joni, CSNY, Mamas & Papas) add an NPR think piece on outrageous musicians plus a dash of the new Kim Gordon memoir. Sprinkle liberally with my longing for new Fleet Foxes material (when, oh when?) and what do you get?
Father John Misty aka Josh Tillman aka my latest obsession.
I may tire of his skinny, hipster swagger – lumberjack beard, ’70s sunglasses – but his voice and his hair are awesome. He was in the Fleet Foxes for a few years while also working on solo material, and his latest album, I Love You, Honeybear is just as earnest, though less inscrutable, as anything from the Seattle band. He writes and sings honestly (and outrageously, per NPR) about sex and love and the power of a good woman; that would be his real-life wife, Emma Elizabeth Tillman. The messages, however candid and explicit as in ‘When You Are Smiling and Astride Me’, are wrapped in such golden melodies and heartfelt singing that you don’t always register him as an agent provocateur. I heard ‘Bored in the USA’ and thought, ‘Oh, a political satire song,’ but as for the other tunes, I didn’t appreciate their underlying themes until I’d read Ann Power’s take on his music (the aforementioned NPR piece).
However, for me, what stands out first and foremost is the beauty of his voice. It definitely has a retro quality to it, as if he’s sitting in a cottage in Laurel Canyon, harmonizing with Linda Ronstadt and sharing a joint with Gram Parsons.
Check out his performance from KEXP (the one at the top) and let me know what you think!
Have a good week 🙂